Alex Chinneck. “I wanted to play on the theatricality of this area, and make something physically extraordinary,”
read more about this stunning project here
took the ferry back to SF from sausalito instead of biking across the gg bridge. 13.09.14.
sausalito on weekends—critical masses of tourists teetering slowly/newbly on rental bikes, and little masses of local roadies.
i wondered how the ferry would fit everyone and their bikes.. this is how.
Turning a street in Bristol into a giant water slide : urban bricolage can bring lots of fun!
‘I like the way participants have a look of pleasure and fear in their eyes. they seem to slide in and out of control with their body and forces of gravity. personally, I found the little adrenalin rush you get at the end, quite addictive.’ Luke Jerram
Deconstruction by Mike Hewson
"A large-scale digital print installation on the elevated walkway spanning between the active Ballantyne’s building and the red-zone The Crossing building. When standing at a particular vantage point on Colombo St the artwork visually deletes the walkway, while from other locations the viewer can distort their interpretation of the work as they move around the structure. The sky covering the structure references changing aesthetic of the CBD as the last of the damaged buildings are removed. The block of blue also acts a visual disconnect between the humming operations of the ReStart/Ballantyne’s precinct and the silence of the red-zone awaiting rejuvenation.”
Banksy designs a sculpture of a sphinx, leaves it in Queens, and observes remotely as locals mine it for parts with the hopes of making a fortune. In one swift move, he has proven that the graverobbers of Giza are still alive and searching for fragments of culture made commodity. However, indicative of the crunching of space-time in the Digital Age, this process of creating a ruin of the sculpture takes a few hours rather than hundreds of years at the same time the notion of monumental is rendered miniaturized and nomadic.
From The Knees of My Nose To The Belly Of My Toes
by Alex Chinneck
"A brand new brick facade slides off the front of a building in Kent, UK to reveal the derelict mess just beyond. Abandoned for 11 years, the four-story structure that stood as an eyesore along a residential street of this seaside town is now an intriguing work of art that makes a statement about what may lie behind the superficiality of seemingly perfect appearances.
The crumbling top story remains exposed, giving a glimpse of what is inside only to those who can get high enough to see it. The Cliftonville district of the city, where the installation is located, was once affluent, but struggled as the whims of vacationers turned to other places. With increased crime and poverty came the decay of once-grand architecture.
The Thanet District Council of Kent gave artist Alex Chinneckpermission to create the installation, entitled ‘From The Knees of My Nose To The Belly Of My Toes’, which will stand for a year before the building is brought back into public use.”
Text by weburbanist
The Centre for Visual Arts in Dordrecht In cooperation with the Amsterdam design bureau Carve invited 10 European design firms to develop inventive, resourceful and multi-age friendly playful objects to complete the design for the new public space, the Governeursplein square in the city of Dordrecht. Ecosistema Urbano’s “energy carousel” was one of the winning proposals chosen to be implemented.
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